‘Stolen Kisses’ was part of my College requirement and so I had to follow a brief. Part of the brief was a requirement for geometric fretwork. Thus began my slightly unhealthy obsession with producing ornamental designs in silver with my piercing saw…
After a class on fretwork – how to design it; the importance of interconnecting sections (cut out too much and you could end up with more ‘gaping hole’ than ‘openwork’); selecting the bits to cut out and the bits to leave in place (positive and negative spaces); how to pierce out really tiny holes etc., I started experimenting.
In fact, I was so excited about fretwork, I ended up including three different kinds of fretwork in my final piece…that’s a lot of piercing and a lot of back ache! So in ‘Stolen Kisses’, there is the silhouette of R&J, the fretwork quote around the edge and, for the geometric bit, a rose window pattern. Not only that, I actually then continued with fretwork for my second piece – ‘The Noble Fool’ – and have now begun working on a fretwork quote collection.
The art of fretworking:
Fretwork is a long and fiddly job. It’s complicated and challenging but the results are well worth the effort… and the back ache!